Showing posts with label Lata Mangeshkar. Show all posts
Showing posts with label Lata Mangeshkar. Show all posts

Wednesday, 18 September 2019

Portraits - Bharat Ratna Series






Bharat Ratna Sir Mokshagundam Visvesvaraya
Bharat Ratna A P J Abdul Kalam


Bharat Ratna Lata Mangeshkar
(My first attempt at portraits - Dec 2016)


Monday, 6 May 2019

Portraits - Legends of Bollywood

























Sketch of Madan Mohan





My debut attempt at Portraits - Sketch of Lata Mangeshkar



Amitabh Bachchan

My sketch of Asha Bhosle published in "Eternal Asha" a coffee table book released on Sep 9 2017 on the occasion of Ashaji's 75th birthday. 
Smitha Patil
Sketch of Helen




Sketch of Suchitra Sen
Sketch of Jaya Bhaduri (of Guddi fame)
Sketch of Nutan


               Sketch of Kamal Haasan


More of my paintings can be viewed at "My Paintings"

Saturday, 18 March 2017

Aayega Aane Waala

Team Nostalgia at Good Earth, Palmgrove, Bengaluru on Nov 19, 2016.

Theatrical ambience - Amphi like - tempting many to click a quick selfie…. Bright lights dotting verdant green walled enclosure, interspersed by interesting interplay of solids n voids of concrete n metal; Coleus, here n there clinging on to rugged stone plinth that based the stage; Enthusiastic community crowd filling the steps right up to top; Trees that flanked on either side of the stage with boughs calendula kind, cantilevered from their trunks, kind enough to bow over their One Sis n Many Bros sitting on stage, a Good Earthy feel…what an inspiration to pen my review of one of a score of songs sung by Team Nostalgia. My pick for song review: Aayega Aane Waala  


A scintillating song from the mystery movie “Mahal” that catapulted Lata several notches up, to reach super star status among singers then.
The backdrop for the song is a series of breathtaking black and striking white imagery thanks to stunning cinematography by Joseph Wirsching.
Picturised on Ashok Kumar, known as Shankar in the film, owner of Sangam Bhavan that is haunted by memories of two lovers, one an unknown man and the other, beautiful looking Kamini played by Madhubala.
Sangam Bhavan was a palatial mansion that stood on the bank of Yamuna, and built by an “Unknown Man” who would supervise its construction, travelling by boat every night. Once Sangam Bhavan was ready, this unknown man brought his beloved to the bhavan and would come rowing every night to visit her. The romance didn’t last long, for, one stormy night, the boat capsized, the unknown man drowned, followed by grief struck Kamini who too threw herself into the river and drowned.
Aware of the tragic ending romantic saga through gardener of the bhavan, Krishna, yet intrigued, Shankar the owner, wanders through ‘The Mahal’ . His intrigue increases when an old portrait (of The Unknown Man) that fell off the wall (and just missed hitting him) looked precisely like a portrait of himself! During his wandering around the mansion, in the middle of a stark dark stormy night, when the clock strikes to say the time now is two (a.m.!) was that a kind of cue?
For, from not too far away, he started hearing the singing of this song by a lady, none other than Kamini (Madhubala) brilliantly playbacked by Lata. His aimless wandering now shifts to focus, tracking the trailing voice emerging from somewhere out there. A voice heard so near, yet that figure n oh that face swinging back n forth n back n forth appears to be far away. When he rushes to sight her at the spot, lo, the voice is ringing, swing still swinging, albeit with its seat plain empty! To him, it’s sheer disbelief!  A face that he could see, though from far, is now elusive, making him pensive.
What an odyssey it is, all through the song! Sung by a teeny, tiny, double braided marvel of a girl from Maharashtra. Who knew then, in that era when rustic and robust Punjabi voices like Shamshad Begum, Zorabhai Ambalewali, Amirbai Karnataki and Noor Jehan to name a few, ruled the roost, that, this little girl would go on to become “The Golden Voice of Hindi Cinema” to this day! Probably Ghulam Haider alone knew, who envisioned in her a potential musical genius. That was when many an eyebrow shot up!!
1/7 songs from the Film: Mahal
Composer:  Khemchand Prakash              Singer: Lata Mangeshkar           Lyricist: Nakshab
Director: Kamal Aarohi                            Cast: Ashok Kumar, Madhubala

Also read Song review of
Ajeeb Dastaan Hai
Aao Huzoor Tum ko
Nostalgia Team that performed at Good Earth Palmgrove, B’lore on Nov 19, 2016 comprised of
Sri Sheshadri Mokshagundam – Master of Ceremonies
Smt. Rekha Sathish – Singer

Sri. Ramanujam Masti – Singer
Li'l Master Aprameya – Budding Singer
Sri. Ravi Dharwad on Keyboard
Sri. Srinivas B. C. on Tabla
Sri. Shashidhar on Rhythm Pad

List of Songs sung at the event:

Tu Pyar Ka Sagar Hai -Chorus (Sheshadri Sir, Sri Ramanujam and Smt. Rekha )
Ayega Aanewala 
Yeh Mera Diwana Pan Hai 
Dil Ke Nazar Se
Piya Aiso Jiya
Jalte Hain Jiske Liye
Waqt Ne Kiya
Yeh Raaten Yeh Mausam
Koya Koya Chand
Rahena Rahe Hum
Na Bole Na Bole
Baar Baar Dekho 

Kuch Dil Ne Kaha
Hum Aapki Ankhon Mein
Zindagi Bhar Nahi
Aao Huzoor
Aaja Sanam
Aayiye Meherban
Medley of songs










Episode #67 by Team Nostalgia at Dignity Foundation, Bengaluru

Sri Sheshadri Mokshagundam – Founder, Anchor, Singer
Singers:
Smt Rekha Sathyashankar
Smt Kumuda Mallya
Sri A K Prabhakar
Sri Badrinath


Smt. Mangala Madhuchand – Event Blogger

Playlist – Oct 27, 2017
Jatan Kahan Hai Diwane – CID (1956)
Kahin Ye Wo To Nahin – Haqeeqat  (1955)
Lakhon Hain Nigahon Mein -  Phir Wohi Dil Laya Hoon (1963)

Haale Dil Unko Sunana Tha – Fariyaad (1942)
Din Dhal Jaaye – Guide (1965)
Aayega Aanewala – Mahal (1949)
Aaj Yeh Meri Zindagi – Yeh Rastey Hain Pyar Ke (1963)
Hum Aur Tum Aur Yeh Sama - Dil Deke Dekho (1959)
Dil Ka Diya Jala Ke Gaya – Akashdeep (1965)
Aansu bhari hain yeh jeevan ki rahein – Parvarish (1977)
Ye Hawa Ye Raat Ye Chandni - Sangdil (1952)
Suhani Raat Dhal Chuki - Dulari (1949)
Babuji Dheere Chalna  - Aar Paar (1954)
Nainon Mein Badra Chhaye -  Mere Saaya (1966)
Darshan Do Ghanashyam Nath Mori - Narsi Bhagat (1957)
Itna Na Mujhse Tu Pyar Badha – Chaya (1961)


Tere Mere Milan Ki Yeh Raina

My debut portrait - Lata Mangeshkar

My sketch of Jaya Bhaduri
More of my portraits can be viewed @ "My Portraits"

Tere Mere Milan ki Yeh Raina YouTube Link











Music can move people, melt them or even tear them apart. Music can reunite them too! That’s The Mesmerising Magic of Music!! So evident is this in the fondly remembered film Abhimaan (declared Hit by Trade Guide – a Bollywood Trade magazine published during those times), with a mature love story that deals with a very common human trait called “Professional Jealousy” between married couple. Here the singer-husband finds it difficult to accept the popularity and mass appeal of his singer-wife. Their marriage is on the rocks. The movie reaches its climax when the couple Subir (Amitabh) and Uma (Jaya  -Bhaduri then, Bachchan now) get separated, Uma has a miscarriage and finally they fortunately reunite – what an emotional reunion celebrated with this beauty of a song “Tere Mere Milan Ki Yeh Raina” rendered in public by both, thanks to timely intervention by Brijeshwar Rai (that’s David for us) who declares to the on-screen audience that it was music that brought them together, tore them apart and reuniting them now. It was Music that defined (or designed!) their life all the way!
This show stopping musical glitters right from the start when Amitabh opens the stanza with a hmmm... and the couple glance by turns at each other. Simple yet stunning sight that sinks into our souls!  And as Amitabh continues to sing, Jaya is unable to take her eyes off him, her emotions go beyond control and ultimately breaks down even as their good times with each other flashback at her. Amitabh along with Asrani (as Chander) waste no time in consoling Jaya , David announcing to the audience that it was the couple’s dream that they should be singing this song together and also requesting Jaya to join Amitabh in the song. When Jaya refuses, it was David’s touching statement that it is his command just like that of a father to daughter, which makes Jaya give her consent.
Amitabh lovingly beckons her to the stage which she readily does, albeit welled with tears. From here on we witness “The Magic of Music” where they both take turns in singing their stanzas. How can one miss Brijeshwar Rai brimming with joy when the two sing in chorus “Dekho naa….” And how can we the audience miss joining him in that joy!
A truly touching direction by SDB….the duo turning towards each other with every repeat of Dekho naa….as if reminding each other of their good times once upon a time! The song ending with their duet rightfully proclaims “Their Grand Emotional Reunion”.

Trivia:
Bindu’s  positive role comes as a good break, earlier known for her vamp/cabaret dancer roles (Zanjeer -1973)
Jaya won the Filmfare Best Actress Award for her sterling acting performance wherein she proves that this innocent country girl in her is indeed a woman of substance.
Tune of the song is believed to be based on Rabindra Sangeet “Jodi  Taare Naayi Chini Go Seki”
S D Burman won the Fimfare Best Music Director Award for his brilliant music in this movie.
This song was listed at No. 16 on Binaca Geetmala annual list 1973
Abhimaan was a blockbuster not just in India but also in Sri Lanka where it was screened non stop for 590 days at Empire Colombo.
The film is claimed to be based roughly around the life story of popular playback singer Kishore Kumar with his first wife Ruma Guha Thakurta/Ruma Ghosh.

Film: Abhimaan (1973)  
Director: Hrishikesh Mukherjee                               
Music Composer: S D Burman
Lyrics: Majrooh Sultanpuri          
Singers: Kishore Kumar, Lata Mangeshkar           
Actors:  Amitabh Bachchan, Jaya Bhaduri, David, Asrani, Bindu and others

Few other song reviews in this blog can be reached via "Bollywood Songs Review"

Image Link:
https://www.google.co.in/search?q=tere+mere+milan+ki+yeh+raina&tbm=isch&tbs=rimg:CXDdXNNm1V5oIjhrP4t1CYNA_10hTXiP607ck6A6Nk3pfzIRB4vpCKPABLqDmYqU9lVzbDfRyrOMuEs8qZlj78COJ3SoSCWs_1i3UJg0D_1EaIeOiL6PsCbKhIJSFNeI_1rTtyQR5jdIg6LOb0UqEgnoDo2Tel_1MhBEgEo4Zi6HHESoSCUHi-kIo8AEuEfo7o5BiLtIqKhIJoOZipT2VXNsRJYNwRsuFidMqEgkN9HKs4y4SzxEV_1gjzyf_16OyoSCSpmWPvwI4ndEU0Z7gTKqu3e&tbo=u&sa=X&ved=0ahUKEwjpkpKhvZnRAhVHLI8KHYYkCicQ9C8ICQ&biw=1422&bih=698&dpr=0.9#imgrc=KmZY-_Ajid0KYM%3A


Tum ko piya dil diya


1/6 songs from the film Shikari that offers viewers a full feel of fun what with the screen filled to a near full film length with nutsy, crazy color cramped fantasy.

A spectacular song pomply picturized on Helen and Ragini. Ragini’s accidental fall and a hit on the head onscreen then, results in a song n dance sequence that remains a hit offscreen to this day!
A fantastic dreamy dance off with Helen by Ragini (as Rita) where Ragini, in her sad state of concussion dreams that she is competing with Helen, both vying with each other in perfect unison to catch Ajit’s attention. A kind of dream that can be dreamt only by a Rani like Ragini, all so since Helen holding hands with Ajit in gratitude when Ajit offered her help caught the eyes of Ragini. Instant assumption by Ragini that Ajit is in love with Helen (too?!). Not so uncommon reaction from our behen Ragini, after all she is no Yogini…right?!

Clearly a war via dance dreamt by Ragini as to who between them will lose in their battle of winning the heart
of Ajit, the mesmeric glances alternating at intervals by Ajit at both of them while dancing, notwithstanding!
The duo Ragini and Helen start off their dance backed by a stencilled setting of colourful cutouts, of leaves n
lotuses, twigs n springs, buds n blooms, pots and ponds, no different from the settings that we see while watching on TV, those Filmi Awards Fests n Fairs that happen with such pomp and fanfare! Both the dancers are costumed in colours - Red and White, is their a choice when the dreamy dance here directly hints at an indirect fight? Can’t miss noticing this: Distribution of that pleasing combo of colours - Red n White between the duo is an inverse ratio, designed to perfect proportion!
Whatta feast to our eyes, the scintillatingly synchronised offering by this dancing duo - a daringly dashing audio video of a colourful cameo!!

Movie Masala:
Tired of watching Helen in cabaret attire? View this song while you listen…pleasant change to see Helen here dressed in desi design!
One of the sisters’ trio of Travancore fame, Ragini was an acclaimed dancer and actress.  Her two elder sisters were Padmini and Lalitha who were also dancers, actors and performers in various languages like Tamil, Telugu, Kannada, Hindi, Malayalam etc. Ragini died of cancer in 1976 at the age of 39.
G S Kohli, music director of this sweet n melodious song, along with his independent compositions of songs like this for a few films, also worked as an assistant to OP Nayyar right through his career. The rhythmic beats, guitar and other instrumental interludes however remind us of the distinct impact of OPN.
His individual direction included songs from films Shikari (1963), Mr. India, Namaste Ji (1965), Adventures of Robin Hood (1965), Lambe Haath (1960), Faulad (1963), Purnima (1965), Char Dervesh (1964)

Film: Shikari (1963)          Director: Mohammed Hussain   Music Director: G S Kohli
Lyrics: Farooq Qaisar       Singers: Lata, Usha
Cast: Ajit, Ragini, Helen and Madan Puri, K N Singh, Tun Tun

YouTube Link: Tum ko piya dil diya

Few other song reviews in this blog can be reached via "Bollywood Songs Review"



Oomph! What a Sweet Sixtieth it was at Dignity Foundation this month. Celebrating this was Our Hero of Team Nostalgia Sri Sheshadri Mokshagundam speaking about the unspoken legends of Bollywood, “Celebrating the Uncelebrated” as he rightly themed it. Strongly supporting the theme was a playlist of 20+ songs handpicked by him. Picked from this playlist for my song review was “Tum ko piya dil diya…..” from the movie Shikari (1963)….which you read above.
Reminiscence began with a soulful song of prayer “Hum ko man ki shakthi dena” from the film Guddi remembering Vasant Desai, the music composer and Vani Jayaram, the singer. While this sixtieth episode sailed with the singing of many an unsung hero’s ode, Sheshadri Sir stirred the session once in a while throwing questions at the discerning audience. Pat comes back the answers well before he completes the question! Courtesy Smt. Rekha Kini , Encyclopedia of Evergreen Old Bollywood and many other senior citizens like her adding to its pages.
La, la, la what an icing it was on the cake, with the storming of stage by Li’l Darling Aarohi, all of 5th grade (not even a 2004!!) springing one and all a surprise, singing this mesmerising number of Rafi and Asha “Ek Chameli ke mandve tale….” from the film Cha, Cha, Cha (1964)
What a way to the end, celebrating in advance,  our Hero’s B’day...tap, tap, tap n a clap, clap, clap, lilt n tilt to the song n need I say…Senior Citizens all set to Dance! Hey, why you looking askance saying Nnno Chhance? Sure, please do come n take a glance. Not sure if we can stop you dance!!!  J
While the team walked out of the programme with tons of takeaways equaling their giveaways, there we met an old man near the gate. “While walking past here, few minutes ago I heard someone sing a Rafi number Jaag dil-e-deewana rut jaage… and I stood still till I heard to its end.” What a Pat  that was to singer  Manjunath Prasad!
Here’s to you Sheshadri Sir… a tribute via salute, Chorus from us… “Haa Tujhe Salaam”


Nostalgia Songs List – March 17 2017

Duets by Manjunath Prasad and Rekha
Agar main puchoon jawab doge – Shikari (1963) Ajit, Ragini
Beqarar dil tu gaaye ja – Door ka Rahi   Ashok Kumar, Tanuja
Dil e nadan tujhe hua kya hai – Mirza Galib
Tum to pyar ho o sajni - Sehra
Tumko dekha toh ye khayal – Saath Saath – Farooq Sheikh, Deepti Naval
Kitni haseen ho tum – Yeh dil kisko doon – Shashi Kapoor, Ragini..?
Female Duets
Gore gore o banke chore – Samadhi
Chup chup khade ho zaroor – Badi Bahen
Solos by Manjunath Prasad
Yeh teri saadgi yeh tera baankpan – Shabnam
Tum ko dekha toh ye khayal aaya – Saath Saath
Jaag dil e deewana rut – Oonche Log (1965)
Dil jalta hai to jalne de – Pehli Nazar (1946)
Solos by Rekha
Dard e dil dard e vafaa – Sushila
Pankh Hoti Re Ud Aati Re – Sehra
Dil ne phir yaad kiya - Dil ne phir yaad kiya
Tasveer banata hoon tasveer nahin banti – Bara Dari
Solos by Shubha
Hum ko mann ki shakthi dena - Guddi
Aaja re pyar pukaare – Dil ne phir yaad kiya
Tere khayalon mein hum – Geet gaya patharon ne
Zindagi pyar ka geet hai – Souten
Solos by Sudha
Aye chandchup na jaana – Jawaab
Nazar se door jaanewale – Lahore
Ae ri main to prem diwani – NauBahar (1952)
Yeh kaisi ajab dastan ho gayi hai – Rustom Sohrab
Dil e nadan tujhe hua kya hai -
Solos by Kumuda
Panchi Bawara Chand se Preet Lagaye – Bhaktha Sur Das
Prabhu ji tum raakho laaj hamari – Hospital (1943)
Solo by Li’l Aarohi
Ek Chameli ke mandve tale – Cha Cha Cha

  










Image link: https://www.google.co.in/imgres?imgurl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FdjtDXE52YKU%2Fhqdefault.jpg&imgrefurl=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DdjtDXE52YKU&docid=tE8RrH-u09YImM&tbnid=H7iAus0dPnxtYM%3A&vet=10ahUKEwiFuYT9-97SAhUDU7wKHSgBD8IQMwgcKAEwAQ..i&w=480&h=360&bih=698&biw=1422&q=tum%20ko%20piya%20dil%20diya&ved=0ahUKEwiFuYT9-97SAhUDU7wKHSgBD8IQMwgcKAEwAQ&iact=mrc&uact=8#h=360&imgrc=H7iAus0dPnxtYM:&vet=10ahUKEwiFuYT9-97SAhUDU7wKHSgBD8IQMwgcKAEwAQ..i&w=480







Mora Gora Ang Laile


This song tells a tale of a young man Sampooran Singh Kalra pen named Gulzar who shot his name to fame,
from obscurity to celebrity via serendipity.
On landing in Mumbai, Gulzar went through tough times to survive. He worked as a car mechanic at Worli in Mumbai. However since his heart remained in writing destiny enabled him to return to his calling. What a joy it must have been for Gulzar when he got a call from Bimal Roy, right? Wrong! Guess why… adamant about his aversion to Bollywood, answer from Gulzar when asked by Bimal Roy to pen a song for his film Bandini was an assertive “Nnnno I don’t want to be a lyricist!” Yet, once Gulzar relented, there was no looking back.

A happy smiley charm of a song from a rare woman centric melancholic film that tells a tragic tale from
“her”point of view. Sung for a lady in love (picturized on Nutan) who plans to clandestinely meet her lover, the song has utterly simple lyrics penned by Gulzar, the Czar of Bollywood Song Scripts. In today’s world intoxicated by anything in the air that looks fair, Gulzar opts to take the road less travelled. His innovative mind thinks of this fair lady wishing to look darker just so she can make her wish come true by merging with the darkness of the night to meet her lover sans anyone’s sight. Propping up his innovative thinking is the prelude to the song by Director Bimal Roy about a tiny tale of Lord Krishna. Radha wishes that her fair skin turns dark which can merge into the darkness of night so that she can surreptitiously meet her favourite Lord Krishna without anyone’s notice. Ditto is Nutan here, probably a fan of fantasy, idolizing Radha.
What a wonder, this creation, Gulzar drawing his lines for lyrics from culture and mythology that is so very Indian, magical melody mused out by Lata Mangeshkar as directed by S D Burman perfectly matching with the pristine beauty of Nutan.
Lyricist Shailendra during the filming of Bandini got into an argument with S D Burman and decided not to work anymore in the film. He instead suggested that Gulzar pen the remaining song (and not songs)….for there was just one song left. Thus came into Bollywood fora, the magic of Gulzar called Mora Gora….


Movie Masala
Bandini - Landmark movie of 1960s
Last feature film with Bimal Roy as Director
Swept six awards in that year’s Fimfare Awards that included Best Film, Best Director and Best Actress
Bimal Roy was about to scrap the film when he came to know that Nutan was in the family way. Roy, a professional that he was, however managed to complete the film well before Nutan’s D Day!
While Mora Gora….was Gulzar’s first hit song, his debut in Bollywood was marked by Ganga aaye kahan se, Ganga jaye kahan re (Kabuliwalah)
Gora Mora Ang Laile is 1/7 songs from
Film: Bandini (1963)                     
Lyricist: Gulzar
Music Composer:  S D Burman              
Singer: Lata Mangeshkar
Director: Bimal Roy          


NOSTALGIA – 61st Episode
That was a real “Blast from the Past”! True to the theme, Team Nostalgia in this month’s episode at Dignity Foundation - 61st to be precise (yeh…Nostalgia Episode Count too has now joined “Senior Citizens Cadre” J ) trekked the audience down to Musical Melodies of Bollywood Lanes as old as 1950s. Nostalgia began the program by swiftly elevating the mood of the gathering, driving them deep down to a 1950 Prayer number from the movie Nirala “Mehfil mein jal uthi shama” rendered soulfully by Smt. Sudha followed by many more scores from Sheshadri Sir’s playlist. Picked from this playlist for my Song Review was “Mora Gora Ang Laile….” from Shesh Sir’s fave film “Bandini” picturized on Nutan melodiously sung by Smt. Rekha during the program. Song Review can be read at …. . Btw bhai aur behen, last time did you miss viewing my sketch of Helen? Ophh ho….this time then, don’t miss viewing my sketch of Nutan!
Songs that followed reminded us to reminisce the magic makers of Bollywood Yester Era be it The Gift of Bengal to Hindi Cinema - Bimal Roy’s “Mora Gora…..” or “Chod de Saari Duniya” from the black n white masterpiece Saraswathichandra – an out n out Gujarathi novel based movie. Smt. Kumuda from the audience with her beautiful rendering of a rare gem “Dekhta chala gaya main zindgi ki raah main” from the thriller cum comic film “Gateway of India” truly gushed out the floodgates of DF senior citizens’ fond memories to as early as 1950s. The pristine voice of Lata in the song “Guzra Hua Zamana” sung by Smt. Sudha with her voice so sublime tempted even a tiny boy (clad in red - can be viewed in pics) to lip sync. Oh buoy, imagine a boy not even a 2006 humming a song of 1956! Ain’t it reason enough to tap a pat for Team Nostalgia!?

Nostalgia Songs List – April 19 2017

Solos by Smt. Sudha:
Mehfil mein jal uthi shama – Nirala (1950)
Man Mohana Bhade Jhuthe – Seema(1955)
Guzra Hua Zamana – Shirin Farhad (1956)
Yeh tanhaai hai re hai phir na – Tere Ghar Ke Saamne (1963)
Nigahen Milane Ko Jee Chahta hai – Dil Hi To Hai (1963)
Chhod De Saari Duniya Kisi Ke Liye – Saraswatichandra (1968)

Solos by Smt. Rekha
Main aaj pawan mein paau Ek mithi si chubhan – Reshma aur Shera (1971)
Tere bina jiya jayena – Ghar (1978)
Mora gora ang laile – Bandini (1963)
Ae Ri Pawan Dhundhe Kise Tera Mann – Bemisal (1982)

Female Duets
Kahe tarsaye jiyara – Chitralekha (1964)
Janu janu re chupke kaun aaya – Insan Jaag Utha (1959)

Solos by Smt. Kumuda
Shukirya Ae Pyar Tera – Aaram (1951)
Dekhta chala gaya main zindgi ki raah main – Gateway of India (1957)
Pyar par bas tho nahin hain – Sone ki chidiya (1958)

Duets by Sheshadri Sir and Smt. Rekha
Aa Neele Gagan Tale Pyar – Badshah (1954)

 






 










Image link: http://images.mid-day.com/images/2014/jun/14-Bandini.jpg

Ajeeb Dastaan Hai Yeh

Ajeeb Dastaan Hai Yeh YouTube Link

( 1/ 7 songs) from the Film: Dil Apna Aur Preet Paraayi (1960) 
    
Music Director: Shankar Jaikishan             Singer: Lata Mangeshkar              Lyricist: Shailendra
Director: Kishore Sahu                                   Actors: Raaj Kumar, Meena Kumari, Nadira

Here is a tale of an exceptional song that sings about an unheard of and unseen strange tale, which neither he (Raaj Kumar) nor she (Meena Kumari) could tell, for neither knew where it began and where it ended!
The scene is a wedding reception held by Malhotra hospital staff, Shimla for Dr. Sushil Verma (Raaj Kumar) on his wedding to Kusum (Nadira) daughter of his benefactor and his father’s friend who paid for his education.  Meena Kumari as Karuna, a nurse at his clinic, when asked to sing a song, rises up to the occasion and sings her heart out.

Karuna, though devastated by Sushil’s marriage to Kusum, maintains her stately dignity and resolve to distance herself from Sushil, a trait of hers which gets tested often. This song is one such occasion where she outperforms in the test! Sitting on a boat (yeah, it’s a boating party!), clad in a striking white sari that is perfectly in sync with her persona – simplicity, purity, peace n ha, nurse!  -  sparkling amidst the night black setting (thanks to brilliant B&W photography by Joseph Wirsching) is Meena Kumari whose tear-edged eyes glisten despite the gloom within, that’s so brilliantly hidden, the passionate adorable glances between her                                                         and beau notwithstanding!
An awesome track with blissful melody that signifies the storm within paralleled by a brilliant portrayal of calm demeanour  on the exterior.
Shankar Jaikishan won the Filmfare Best Music Director Award for this film.

Edwina (as Nurse Rosie in this film) got married to Keith the same year this film was released. She had a few dialogue deliveries and song appearances in this film.

Also read song review of
Aao Huzoor Tum ko
Aayega Aanewala
Tere Mere Milan Ki Yeh Raina
Churaliya Hum Tum Ne Jo Dil Ko
Tu Pyar Ka Saagar Hai
Mang Ke Saath Tumhaara
Sambhal ye dil

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Woh Jab Yaad Aaye


Can you name a film that isn’t just black and white but also of colour?
My Sketch of Lata Mangeshkar
Parasmani – a fantasy musical drama film of the 60s shot partly in black n white and rest in Eastman colour. It can be rated several notches higher, more for its music and dance (4 dance directors involved) than for its stars or the story, thanks to some outstanding music by Lakshmikant Pyarelal in their debut film. This film marked the beginning of their leap into film industry, with all songs swirling into super hits. The most beautiful duet song “Woh Jab Yaad Aaye” was sung by Rafi and Lata.
While you resume reading, you may also listen to the song here
The film also announced the onset of Rafi-Lata duets. Those were the years when Rafi and Lata reigned. The voice of Rafi putting punch into the rendition and an equally gifted voice of Lata, transporting us to a world of our own. Melody and passion lingering on, leaving those historic visuals far behind.
Paras (played by Mahipal) gets lost in the sea when his ship strikes a storm, only to be found by a poor villager. He grows up to be a singer of fame. This leads him to an Emperor’s palace where he falls in love with the Emperor’s daughter, Rajkumari (played by Geetanjali). Can he marry her?
Not till he finds a rare gem “Parasmani” (Philosopher’s Stone that converts iron into gold) which will save the Emperor’s life. For, this jewel will lift the curse the emperor is now under, that he will die the day his daughter weds”.
The song is sung enroute Paras’s  mission inside the cave.  Mahipal and Geetanjali  recall in isolation their memories of love amidst their lives of sorrow. Lilting music one can enjoy listening, thanks to lyrics of love flowing – memories rushing, tears flowing, heart burning, lighted lamp of love disappearing. We, the listeners are sure to get lost in a world filled with love and light and of memories, dull and bright.
1/6 songs from
Film: Parasmani (1963)   Director: Bhabubhai Mistry          Music Directors: Laxmikant Payrelal
Lyrics: Asad Bhopali, Farooq Kaiser, Indeevar      Singers: Lata, Rafi, Mukesh, Kamal Bharot
Actors: Mahipal, Geetanjali

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